GERADOR DEVÍDEO IA

Subject A miniature hand-drawn 2D animated girl with messy black hair, an orange shirt, teal shorts, striped socks, and a yellow backpack, riding a tiny orange skateboard across real-world office desk items. Style Mixed-reality hybrid animation combining 2D hand-drawn doodle character art with a realistic live-action desk environment. Features playful stop-motion physics, smooth line animations, and lighthearted background music layered with miniature skateboard rolling and grinding sound effects. Camera & Framing Close-up macro shots, dynamic low-angle tracking perspectives, and tilt-shift shallow depth-of-field focusing on the tiny skateboarder as she navigates large household objects. Audio & Scene Breakdown 00:00 - 00:02 Visual: Macro shot of the tiny 2D skateboarder balancing between two giant human fingertips on her miniature orange board before pushing off. 00:03 - 00:05 Visual: Low-angle tracking shot as she performs a kickflip off the edge and lands smoothly onto a wooden desk surface. 00:06 - 00:08 Visual: Side-profile shot grinding across the edge of an orange wooden ruler and launching up a curved piece of white paper like a halfpipe. 00:09 - 00:14 Visual: Dynamic camera angle as she drops into the rim of a ceramic mug filled with dark coffee, riding around the inner wall before launching back out. 00:15 - 00:20 Visual: Tracking shot following her as a human hand draws a green crayon path on notebook paper, grinding over a white eraser and hopping over spiral notebook rings. 00:21 - 00:24 Visual: Air shot as she jumps off an open notebook, performing a trick mid-air over a computer keyboard and desk surface. 00:25 - 00:30 Visual: Close-up as she launches into the air, does a 360 spin with her board, and lands precisely back onto the gap between the two giant human fingertips where she started.

Cinematic 30-second vertical or 16:9 music-video style sequence, photorealistic, high detail, natural outdoor lighting, slightly melancholic and dreamy atmosphere, soft color grade with muted greens, concrete greys, and pastel pinks. Consistent single female character throughout every shot. Character (lock this identity): Young East-Asian woman @[Image 1](image_1), mid-20s, long straight pastel-pink hair with darker roots and lighter tips, fair skin, delicate makeup with reddish lips, slightly tired or distant expression. Wearing a light-green denim baseball cap decorated with a row of white pearls along the brim. Light-green cropped ribbed knit sweater with black ribbon bows tied along both sleeves. pink-and-white plaid flannel shirt tied around her waist. Baggy light-wash distressed jeans. Small silver necklace. Occasional black backpack in later shots. Same face, hair length, outfit, and body proportions in every scene. Shot sequence (smooth cuts, slow camera moves, 2–4 seconds each): Medium-wide: She lies on her side on weathered grey concrete stadium steps, head resting against the riser, one arm along the step, looking softly at camera. Background: empty sandy sports field and distant people. Medium: She hangs from the top white crossbar of a soccer goal, both hands gripping the bar, body dangling in front of the net, looking straight at camera. Green hills and a second goal in the background. Medium: She is inside a stainless-steel cage packed with orange basketballs, eyes closed, cheek resting on a basketball as if sleeping. Soft natural light. Medium: She reclines against a colorful red-yellow-green playground tube slide, eyes half-closed or looking down, same outfit, playground equipment and trees behind. Medium-wide: She sits still on a chain swing in a playground, looking down, legs hanging, empty swing beside her. Blue rubber flooring, red and blue poles. Medium-wide: She sits on a low concrete wall in the playground, an orange traffic cone placed on her head like a hat, staring forward with a blank expression. Colorful play structures and trees behind. Medium: Outdoor ping-pong table. She stands holding a red-and-black paddle, then leans forward and rests her head and arms on the blue table surface, paddle still in hand, looking sideways at camera. Medium close: She stands at a stainless-steel outdoor drinking fountain, presses the button, water arcs up; she leans in as if to drink, then looks down at the basin. Wide then medium: Large concrete stadium steps with metal railings and trees. She walks slowly past a black backpack on a step, stops, looks up at the sky, then sits and leans back against the steps, eyes closed or looking upward, legs extended. Camera & motion: Slow pans and gentle dollies, shallow-to-medium depth of field, natural handheld-but-stable feel. Soft overcast or late-afternoon light. Subtle wind in hair and clothes. No fast cuts, no

Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text on it

Create a 10-second photorealistic cinematic motorcycle commercial featuring a young 24-year-old male rider with an athletic, muscular physique, riding a Suzuki GS150SE along the Karakoram Highway in northern Pakistan at approximately 100+ km/h. The rider looks confident and energetic, wearing a premium black riding jacket with the sleeves fitted around his muscular arms, dark riding pants, gloves, riding boots, and a full-face helmet. Keep his appearance, clothing, helmet, and body proportions identical throughout the entire clip. The Suzuki GS150SE should remain accurately proportioned and visually consistent, with realistic suspension movement, wheel rotation, chain movement, engine vibration, brake components, exhaust, mirrors, and authentic motorcycle details. The highway winds dramatically through enormous snow-covered Karakoram mountains, with towering icy peaks visible in the distance. Cold mountain atmosphere, patches of snow beside the road, crisp blue sky, thin clouds, distant glaciers, and realistic high-altitude lighting. Cinematic Direction: Begin with a low front three-quarter tracking shot of the GS150SE approaching at speed. Transition into a side tracking shot showing the rider enjoying the mountain scenery while maintaining control of the motorcycle. Briefly show a helmet-level POV looking down the sweeping Karakoram Highway toward massive snow-covered peaks. Use realistic aerodynamic effects: subtle airflow flowing around the rider and motorcycle, jacket fabric reacting naturally to wind, slight suspension compression over road imperfections, realistic tire contact, and controlled motion blur. Finish with a dramatic rear three-quarter tracking shot as the motorcycle disappears along the winding highway, surrounded by enormous icy mountains. Visual style: photorealistic, premium motorcycle commercial, cinematic 4K, natural mountain lighting, realistic physics, detailed motorcycle textures, dynamic tracking camera, shallow depth of field where appropriate, subtle lens flare, realistic motion blur, immersive scale, epic Himalayan/Karakoram atmosphere. Important: No distorted motorcycle parts, no extra limbs or fingers, no changing rider appearance, no duplicated motorcycle components, no unrealistic wheel geometry, no floating motorcycle, no excessive CGI effects, and no text overlays unless specifically requested. Overall feeling: freedom, adventure, power, solitude, mountain exploration, and the thrill of riding through the Karakoram.

Create a 30-second photorealistic aviation emergency sequence, 16:9, with synchronized English dialogue and stereo audio. Keep the same unbranded twin-engine jet throughout: white fuselage, dark-blue tail and only the right engine on fire. Preserve the aircraft, pilots, passengers, weather, damage and runway orientation. No crash or fatalities. 0–4s — COCKPIT: Medium close-up in the vibrating cockpit. Warning lights illuminate two focused pilots. The captain flies while the first officer monitors instruments. Alarm: “Engine fire. Right.” Captain: “Mayday. Engine fire. Request immediate landing.” Subtle handheld vibration and slow push-in. 4–7s — ENGINE: Tracking close-up of the burning right engine. Flames and dark smoke stream backward. The turbine rotates irregularly with heat distortion and wing vibration. Fire stays confined to the engine; the wing remains intact. Audio: wind, damaged turbine and metal vibration. 7–11s — TOWER: A controller watches the approaching jet while another clears the runway. Fire engines move below. Controller: “Flight 217, runway two-seven cleared. Emergency crews standing by.” Captain over radio: “Cleared two-seven.” Rack focus from controller to aircraft. 11–15s — PASSENGERS: In the same cabin, passengers brace. A flight attendant checks belts and takes the jump seat. One passenger holds another’s hand. Flight attendant: “Heads down. Stay braced.” Passenger: “We’re going to be okay.” Fear without panic or injuries. 15–19s — APPROACH: Telephoto runway shot. The jet descends through rain with gear down and the right engine trailing fire and smoke. Crosswind pushes it sideways; the pilot corrects and aligns with the runway. Audio: rain, wind, sirens and uneven engine noise. 19–23s — TOUCHDOWN: Back in the cockpit as the runway fills the windshield. First officer: “Fifty… forty… thirty…” Captain: “Hold it.” Cut low outside as the main gear hits hard. Tires smoke; the aircraft bounces once and drifts before correction. 23–27s — DECELERATION: Parallel tracking shot. The left engine reverses thrust while the damaged right engine smokes. Right landing gear shakes but holds. The jet brakes hard as emergency vehicles follow. Audio: tires, reverse thrust, metal vibration and sirens. No explosion. 27–30s — SAFE STOP: Wide three-quarter shot. The jet stops near the runway end. Fire crews spray foam on the right engine. Controller: “Flight 217, you’re safe. Crews are with you.” Captain: “Copy. Engine secured.” End on the intact aircraft and emergency vehicles. Style: premium aviation-thriller realism, accurate aircraft motion, overcast light, wet reflections, volumetric smoke, restrained handheld camera, anamorphic look and cinematic grading. Priorities: consistent aircraft geometry, pilot faces, uniforms, cabin and passengers; correct orientation; only the right engine damaged; realistic fire,

Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. [0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. [4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. [6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. [8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. [10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. [13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. [16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. [20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet